Some orchestras liked to present a slightly sharper sound than others, and it just kept creeping up until 440 became the standard. One of the Russian orchestras, I think St. Petersberg, likes a different sound, and tunes a bit below 440.
![]() -- Drew |
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![]() Some orchestras liked to present a slightly sharper sound than others, and it just kept creeping up until 440 became the standard. One of the Russian orchestras, I think St. Petersberg, likes a different sound, and tunes a bit below 440. |
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![]() https://www.nytimes.com/1989/08/13/nyregion/as-pitch-in-opera-rises-so-does-debate.html Drive my son nuts, what with his perfect pitch. Regards, -scott Welcome to Rivendell, Mr. Anderson. |
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![]() -- Drew |
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![]() It's amazing how quick the NY Times site is with JavaScript turned off. Regards, -scott Welcome to Rivendell, Mr. Anderson. |
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![]() Pieces were written based on what the human performers could physically handle. (Speaking of opera here, orchestral is a somewhat different issue.) Unless human anatomy has significantly changed in the last 2-3 centuries, I don't imagine people's vocal chords are yet capable of significantly higher ranges. And more "brilliance" and "excitement" ... Maybe the piece isn't intended to be that brilliant and exciting, else it would have been written in a higher key. -- Drew |
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![]() Pitch and resonance are related to the physical volume of the anatomy. Unless skulls and chests and throats have changed, I don't see why natural ranges would change. -- Drew |
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![]() -- Drew |
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![]() Some years ago I bought a recording of Offenbach's "Les Contes d'Hoffman" (Tales of Hoffman), which turned out to be very strange indeed. It was recorded in Argentina, by an orchestra I'd never heard of. In fact, the only name I recognized was Peter Maag, the once famous conductor who suddenly disappeared, and was found years later in a Buddhist monastery near Hong Kong. The orchestra sounds like something off old 78s. There's a whole lot of stage noise, but the voices are recorded very well. For a critical part, the wind-up singing doll, they hired an aging soprano just a few months from retirement. Could she still sing the part? She brought down the house. That was Mady Mesplé, who's specialty was a very strong voice in registers other sopranos couldn't even get to. She died last year at 89. That's the way to end your career all right. "Gather round girls, and listen to what you will never be able to do." |
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![]() Heh, anyone remember the old "GIYF" acronym...? :-( Anyhoo, as I was saying: https://archive.is/SkvPI -- Christian R. Conrad The Man Who Apparently Still Knows Fucking Everything Mail: Same username as at the top left of this post, at iki.fi |