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New Answer: ___Arthur C. Clarke + Stephen Baxter's [Review]
The Light of Other Days \ufffd 2000

Extrapolates the present morbid interest in Information, the death of ethics as a concept - along the lines of the usual homo-sap confusion of excess with success. (Add-in the incentive to capitalize on everything imaginable, especially by those already $-besotted -- like Now)

You'll Love the QM overtones, I'd guess.. while merrily dissecting the assumptions ;-)

I give it ****\ufffd Would say Must See! except.. that's counterproductive in the ones who Question Authority; for those: Don't Buy This Book.

Ashton



PS for the non-DeS-specific Review:

Apparently ACC thinks highly of Mr. Baxter (John W. Campbell Award winner), his collaborator on this. Scienterrific plausibility aside, I think he's (they've) nailed our cupidity, gullibility and Total Historical Blindness to a fare-thee well, and the consequences follow inexorably as: Today's prewar non-News / Next week's fait accompli.
Marketing: more addictive than heroin, but without the sense of peaceful wellbeing. This we settle for and call.. satisfiction.
The Nintendo-Britney Eloi
New Re: Answer: ___Arthur C. Clarke + Stephen Baxter's [Review]
I am less than impressed with Stephen Baxter. His books have more than an element of sameness beyond the Earth usually if not always (in the 2 books of his that I've read plus another about which I've been told) getting destroyed.
qts
New Guess I'll have to look at his other opera
My presumption is that the major plot-line is Clarke's, so I didn't pay much critical attention to trying to separate-out narrative style. I thought that the ideas transcended the storytelling..

Obv YMDV (did vary) ;-)

Ashton

(No, he ain't a replacement for Vonnegut, but then..)
     Answer: ___Arthur C. Clarke + Stephen Baxter's [Review] - (Ashton) - (2)
         Re: Answer: ___Arthur C. Clarke + Stephen Baxter's [Review] - (qstephens) - (1)
             Guess I'll have to look at his other opera - (Ashton)

Fighting and romance are weirdly similar in many ways. Two people lock eyes in a crowded room. Everybody can feel the intensity of the emotions between them. One of them suggests that they step outside. “Come on, just you and me.” It starts out dignified, but they end up rolling around, tearing at each other’s clothing.

Also, both fighting and romance tend to look a lot better in movies than they do in real life.
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