Ultrathin nylon? Noooooo....
I use the 1.14 mm classic shape tortex picks.
And yes, I do windmills with them from time to time, and rely on the strength of my fingers and wrists not to blow the pic out of the hand.
Which goes a fair way to explaining why I was blowing the ten:)
Actually, the trick is to let the pick float a bit when it goes across the strings when you're doing the windmill. That's not a great description, but the idea is that you let the pick take the appropriate angle when it first hits the strings, without it actually moving so much that it ends up going flying (though I've done that my fair share of times and then some). You also want to choke up a fair bit on the pick when you do that, because There Will Be Slippage when it hits the first string; you just have to make sure that the slippage is small enough that it's still resting between the forefinger and thumb after the slippage is done.
Mind you, I've got to admit I don't do as much windmilling as I did when I was a younger man.
Heavy picks + heavy strings + pounding the snot out of it = tone heaven.
The Ibanez is a neck through body guitar, but the strings don't go through the body. Like yours, the bridge and nut are brass. Seems there was a lot of that going around in the late seventies and early eighties....
Oh, and no, I'm not a metal player; straight up rock, blues, folk, and country. Heh, I used to tour with a country band, playing my strat through my marshall. You just have to set up the amp right and it can be quite acceptable to all but the most trad of country fans... but they tend to spit on anyone not playing a tele anyway.
--\n-------------------------------------------------------------------\n* Jack Troughton jake at consultron.ca *\n* [link|http://consultron.ca|http://consultron.ca] [link|irc://irc.ecomstation.ca|irc://irc.ecomstation.ca] *\n* Kingston Ontario Canada [link|news://news.consultron.ca|news://news.consultron.ca] *\n-------------------------------------------------------------------