Filmmaking by committee. Again.
Way too long, like they were trying to stuff in something for everyone instead of making something *one* audience would love.
But at the same time there were multiple scenes that didn't feel justified, like an earlier scene that set it up was missing; and a first-act setup that you saw coming a mile away ... never paid off in the third act.
The post-credit scene was one of the greatest callbacks ever, to the point that I "left the theater" with a smile on my face despite how mediocre the rest of it was.
And a Netflix oddity: when the closed captioning named the villain for the first time it was like a flashing "Origin Story!" sign. Speaking of the villain, the setup was good and the performance was spectacular. Until the character got lost under the SFX.
Way too long, like they were trying to stuff in something for everyone instead of making something *one* audience would love.
But at the same time there were multiple scenes that didn't feel justified, like an earlier scene that set it up was missing; and a first-act setup that you saw coming a mile away ... never paid off in the third act.
The post-credit scene was one of the greatest callbacks ever, to the point that I "left the theater" with a smile on my face despite how mediocre the rest of it was.
And a Netflix oddity: when the closed captioning named the villain for the first time it was like a flashing "Origin Story!" sign. Speaking of the villain, the setup was good and the performance was spectacular. Until the character got lost under the SFX.