Umm, just about exactly the right-amount-of-notes; I mean--y'see he always left room within his constructions
--for a one to let his own imagination generate fugues/other variations, as the listener is moved-->

(Need look no further than Mr. Gould, whose 'shocking' tempo changes and his utterly perfect executions: ushered in a New Way of applying JS's genius [+ One's Own]
and of delighting the audiences. Got to see him Live, in Berkeley, once. Magick.

Rest case.

Concur however that, Mr Townshend (despite apparent age-related vocal limitations) also neutralizes the stereotypical dismissal of..
(maybe not so much the Instrument as:) How, often .?. the composing for it--sucks.)

;^>