Ansel.
Someone will become the repository for some Kodachrome slides (!) I took, of A.A. at work (photographing the LBL Lab Director, Ed McMillan then.)
The session, done at a desk in control room for the 'Bevatron' were to be used in a coffee table book about U.C. (on some Anniversary or other) called, Fiat Lux.
Later, up on the "craneway" where he took some shots of the machine, I got to peek at his ground-glass, after he'd composed one. Friendly, non-primadonna kinda guy.
(Mentioned previously, wayback.)
I (natch) asked him at outset, if I might take some shots of (him + assistant) as he worked. Soundlessly of course.
OK, says he. These likely were via Nikon f--post 'Photomic' *model? and I can't recall why I had slide film in it: it was enough that camera was in my car / for this unscheduled Opportunity.
* ~'66 ergo well before the F-2, my last Nikon. May Kodachrome/dye-transfer==ANALOG.. Live Forever!
(Actually I think I like the expression I got on Ed's face ... a tad more than A's final cut: all this after he'd composed the scene, asst. holding passive reflectors etc. etc. so I had all those ineffable assists, needed only to ... ... Get the LIght Reading right!/Nikon did.
Ah well, photog stories are akin to bench racing before/after the T.T. -- fascinating mostly to fellow fanatics.