1. Rushdie and postcapitalist feminism
In the works of Rushdie, a predominant concept is the distinction between closing and opening. Thus, Foucault uses the term \ufffdSontagist camp\ufffd to denote the fatal flaw, and subsequent stasis, of dialectic sexuality. If postcapitalist feminism holds, we have to choose between Sontagist camp and precapitalist socialism.
The characteristic theme of von Junz\ufffds[1] essay on postcapitalist feminism is not desublimation per se, but subdesublimation. It could be said that the main theme of the works of Rushdie is the role of the participant as writer. The defining characteristic, and thus the economy, of neotextual rationalism which is a central theme of Rushdie\ufffds The Ground Beneath Her Feet emerges again in Midnight\ufffds Children, although in a more self-falsifying sense.
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Imagine the frivolity if in addition to Nadsat, z had [link|http://www.elsewhere.org/hbzpoetry/|Adolescent Poetry]. It already matches crazy's formatting.
[edit:] The topic is from a review at [link|http://richarddawkins.net/article,824,Postmodernism-Disrobed,Richard-Dawkins-Nature|Richard Dawkins site], but I had to find a working link.
Cheers,
Scott.