Here for the half-hour.
..wanted Moar.
Camera moves about; for the young'uns:
See! the crossover-handds on the Goldberg
See her touch control!--to a fare - thee - well--on the sublime opening piece of Kinderscenen
[Schumann]
(Because of the 'distraction' maybe, for some artists?) we don't usually see such revealing keyboard views.
..but then after gawking at How magic is done ... I want to go back and just l i s t e n .
Bon appetÃt
..wanted Moar.
Camera moves about; for the young'uns:
See! the crossover-handds on the Goldberg
See her touch control!--to a fare - thee - well--on the sublime opening piece of Kinderscenen
[Schumann]
(Because of the 'distraction' maybe, for some artists?) we don't usually see such revealing keyboard views.
..but then after gawking at How magic is done ... I want to go back and just l i s t e n .
Bon appetÃt